17th January 2025 Mumbai, Maharashtra, India  Protinex, India’s leading health nutrition brand from the house of Danone, is thrilled to announce its collaboration with India’s most beloved gameshow, Kaun Banega Crorepati (KBC), hosted by the iconic actor Amitabh Bachchan that airs every Monday to Friday at 9 PM on Sony Entertainment Television. This unique partnership celebrates the perfect synergy of knowledge and health.

As a co-powered partner of KBC 16, Protinex aims to amplify awareness about the critical role of protein in maintaining a healthy lifestyle by integrating itself into the gameshow to promote its message of holistic health. During every audience poll segment, each member of the studio audience will receive an exclusive Protinex hamper as a token of appreciation for their participation. Adding further value to the collaboration, Amitabh Bachchan himself will educate viewers on the importance of protein as a macronutrient and the necessity of choosing trusted supplements to meet daily nutritional requirements.

“At Danone India, we believe in empowering individuals to take charge of their health through informed choices. Our partnership with Kaun Banega Crorepati is a testament to our commitment to spreading awareness about protein’s vital role in everyday nutrition. By associating with a platform as influential as KBC, we aim to inspire millions of viewers to prioritize their health and well-being,” said Sriram Padmanabhan, Marketing Director, Danone India.

Sandeep Mehrotra, Head—Ad Sales, Network Channels, at Sony Pictures Networks India (SPNI) added, “Kaun Banega Crorepati is more than just a show – it’s an institution that brings families together. As an iconic property, it offers brands a unique opportunity to connect with their target audience in a trusted and engaging environment. We’re delighted to partner with Protinex for the first time and craft bespoke solutions that not only meet their business objectives but also seamlessly integrate into the content, creating a holistic and impactful brand experience.”

Further speaking about the association, Shekhar Banerjee, Chief Client Officer, and Office Head – West, North & East, Wavemaker India said, “At Wavemaker, we strive to bring brands closer to audiences in ways that truly matter. This partnership between Protinex and Kaun Banega Crorepati is all about sparking conversations that can inspire healthier choices for millions of viewers. By seamlessly integrating the message of daily protein intake into one of India’s most iconic shows, we are not just amplifying awareness but creating a lasting impact on the way people perceive health and nutrition.”

Protein is a cornerstone of good health, contributing to muscle repair, immunity, and overall energy levels. However, research indicates that India faces a significant protein gap, with many individuals unaware of their daily protein needs. Protinex’s collaboration with KBC is designed to raise awareness towards bridging this gap by combining entertainment with education, leveraging the show’s massive reach and popularity to inspire healthier dietary choices.

Protinex’s association with KBC underscores the shared values of perseverance, growth, and championing excellence. With every episode, this partnership seeks to not only entertain but also equip audiences with the knowledge to make healthier lifestyle choices.

New Delhi, 15th January 2025: Magicbricks, India’s premier property portal, revealed that in Q4 2024 (October–December), 50.9% of listed properties comprised new inventory, including builder floors, under-construction homes, and newly launched independent houses. The remaining 49.1% represented resale properties owned by individuals. This marked a slight shift from Q3 2024, where 48.1% of available properties were new and 51.9% were resale.

The trend varied across metropolitan areas. In Gurugram, new properties constituted 63.1% of listings in Q4 compared to 55.1% in Q3, indicating a notable rise in new supply. Bengaluru, Mumbai, and Chennai similarly saw new homes dominating inventory at approximately 60%.

Conversely, in Noida, where residential searches surged, 65.3% of active listings were resale homes, highlighting attractive returns for homeowners who invested years earlier. Similarly, New Delhi (70%), Thane (65%), and Navi Mumbai (60%) showed higher resale home listings.

These figures highlight the shifting dynamics of India’s housing market, with new supply expanding across key metropolitan areas, while established regions maintain robust resale activity. Satellite cities such as Thane and Navi Mumbai are also gaining traction, bridging the gap and contributing to the evolving landscape.

Is it a room or a chamber? Is it contained or does it reach out to infinity? Is it suspended in time or is it aging as we speak? Who are these dead men and women whose frames hang within the image? Do they converse with each other when the light has gone; when the living are asleep, or when they’ve retired to elsewhere worlds across the seas, abandoning their precious interiors to be playthings of the elements?

Sebastian Cortés’ photographs are saturated with such ever-questioning detail. Clues abound. But what is the great mystery they serve to address? Within this astute body of work, objects are testaments and the sitters, when framed, are firmly in attendance. Both categories of inhabitants allude to that which is present and that which has past, transforming Cortés’ photographs into documents that will determine the future of the multiple mis-en-scenes.

Cortés reinvents remains. His contemporary lens preys on remaindered detail, fragments, traces of what were once prized acquisitions, aesthetic luxuries. In doing so, he references their metonymic relation to Time Past. Their resilience against erosion, decay, and their survival in the face of neglect and abandonment constitutes the poetry of the present. Cortés alludes to the momentary present; that which was in existence, however prolonged or accidental that existence may have been.

About SEBASTIAN CORTÉS

Sebastian Cortés, born in New York. took up photography while at New York University film school where he studied and collaborated with many of the best names in the industry, shooting several short films. In 1985 moved to Milan, Italy and started shooting fashion, travel and lifestyle photography assignments for many international magazines and commercial clients, including: American Express, Condè Nast, Ermenegildo Zegna, Publicis Group and many others.

From the beginning, Sebastian’s career included a commitment to fine art photography, developing a very personal analysis of the use of the camera as an instrument for recording – the layering of time and the sense of place – influenced by the American school: Walker Evans, Stephen Shore, William Eggleston and contemporaries like Robert Polidori and Alec Soth. His fascination with history and passion for heritage was set in motion at a young age, during his many stays in Venice, Italy at the palazzo of his grandfather.

In 1996 Sebastian produced, “Luoghi Poetici”, published by Loggia de Lanzi, intimate, atmospheric portraits of the major Italian poets in their homes, the key to discovering each poet is the place in both a literary and metaphorical sense – that space in which the poet recognises himself. The book and the exhibition drew great critical acclaim and travelled to major Italian cities.

In 2004 Sebastian moved together with his family to India, where his award-winning fine art, travel, and lifestyle photography is greatly admired. Garnering recognition from noted artists, intellectuals and press, Cortés developed several book projects, “Pondicherry”, published by Roli Books, “Sidhpur”, published by Tasveer, further extending his very personal discourse with photography, initiating a productive period of fieldwork within a new cultural context. His most recent project “Symmetria”, developed over a four-year period in collaboration with UNESCO World Heritage, in the Chettiar region of Tamil Nadu, India, explores the fine line between the utopian and the resoundingly real, as well as between architectural and fine-art photography. Cortés lectures, offers workshops and mentoring in photo biennales around the world. His images are exhibited and reviewed widely in Europe and in India. Sebastian currently lives in Venice, Italy and India.

SELECTED SOLO EXHIBITIONS AND AWARDS

2022

Sidhpur, Time Present Time Past, Indian Art Fair, New Delhi

Pondicherry, Palazzo Polignac Art Gallery, Venice

2016

Sidhpur, Time Present Time Past, Folly Arts Centre at Amethyst, Chennai

Sidhpur, Time Present Time Past, London Photo Festival

2015

Sidhpur: Time Present Time Past, Harrington Street Arts Centre, Kolkata

Sidhpur: Time Present Time Past, Exhibit 320, New Delhi

Sidhpur: Time Present Time Past, Dr. Bhau Daji Lad Mumbai City Museum, Mumbai

Sidhpur: Time Present Time Past, Goa Photo Biennale, Gitanjali Gallery, Goa

2014

Sidhpur: Time Present Time Past, Tasveer Gallery, Bangalore

Sidhpur: Time Present Time Past, National Institute of Design, Ahmedabad

2014

Pondicherry, Citadines Art Gallery, Auroville

Pondicherry, Photo Shanghai, Shanghai

2013

Pondicherry Tasveer, Amethyst Gallery, Chennai

2012

Pondicherry, Tasveer Gallery, Bangalore

Pondicherry, Tasveer, Alliance Francais, Delhi

Pondicherry, Aurodhan Gallery, Pondicherry

2007

Infinite, Kala Kendra Gallery, Auroville

1996

Luoghi Poetici, Circolo della Stampa, Milano

Luoghi Poetici, Protomoteca, Roma

Luoghi Poetici, Galassia Gutemberg, Napoli

Pondicherry, (architecture), IPA Photography Awards

Sidphur, (culture), IPA Photography Awards

Notturno Veneziano, (architecture) IPA Photography Awards

Javier Marias, (editorial portrait) IPA Photography Awards

SEBASTIAN CORTÉS in conversation with ROSALYN D’MELLO

Rosalyn: Inspirations, influences, and reasons for making these series?

Sebastian: I have always been attracted to cities or towns that have, for some historic, social, or economic reason, fallen off the map. Sidphur and Chettinad exude the same kind of atmosphere that you find in abandoned mining towns in the American west, or cities in southern Italy that once had great commercial importance, then history moved on and left them drifting in the indifference of time. But these two locations have an added element that fascinates me even more and that is the layering of visual, architectural, and symbolic elements that seem to linger in the homes like so many ghosts. The psychological and metaphorical importance of rooms and what they silently describe, holds my attention and I want to draw the viewer into the pathos of discovery. The vibration of the empty rooms and all the surface information speaks to us about a people and their need to express themselves, the exteriorization of the soul life or personal values- the emblematic image of an age, a brief but rich moment of creativity and domesticated poetic fantasy. Sidphur and Chettinad for me stand as a metaphor for many of the questions I ask myself about the process of time and the effects of modernity.

Having been influenced consciously and subconsciously by an Italian mother, who can trace her family history to the early stones of Venice and a father whose last name alludes to a time of great upheaval and historic change, my formal and visual education interwoven a curious pattern, which also rests on some very persistent American experiences and ways of being. It’s inevitable that vagabonds and culturally variegated individuals like me become more sensitive to that notion of impermanence, which I seek to arrest in my photographs. My process of observation, when freed of the ridged and shallow obligations of editorial or commercial discipline, tends towards a “vision of loss”. At the very outset of photography, William H. Fox Talbot noted the camera’s special aptitude for recording “the injuries of time”.

My continuous point of reference and influencing force is the American school of photography, as expressed by Walker Evans, Stephan Shore, William Egglestone and my contemporaries Robert Polidori and Alec Soth- I share and admire their disciplined approach to recording reality. I also like to include a slightly more European and softer chromatic gaze, which finds its best expression in the Italian photographer Luigi Ghirri.

Rosalyn : How ds these series differ from your previous projects in India?

Sebastian: The process I follow is always the same in my projects and I try to remain similarly disciplined. At the same time, what I have learned about India from each project and the deeper fascination, understanding and feeling of kinship, which has developed, helps me to be more susceptible to nuances and subtle details. In the end, every project interjects a different matrix of elements, which seem to arise as I go through the process of recording and searching. Every project is different in content but similar in the questions it posses.

Rosalyn: In previous projects you have been influenced by literature, what were some of the non-photographic influences here?

Sebastian: I think that the influences of literature are always playing a role in any of my projects. Writers as different as Max Sebald, Orhan Pamuk, William Dalrymple, Susan Sontag, T.S Eliot and Pankaj Mishra, to mention just a few, are constantly setting a tone to my process of observation. I spend allot of time reading and finding men and women of my generation and from the past, who share my state of mind and help me to objectively entertain a vision of the world. But I’m also easily moved by simple curiosity and the fatalistic sense of opportunity, which is often just a working through of my personal process and path.

Rosalyn: You seem intrigued by aspects of life that are often overlooked, the mundane, ordinary …domestic routines – why are these recurring themes in your work and please explain what you attempt to convey through your imagery?

Sebastian: The obvious, the domestic, the routine are elements that I like to explore in the context of exceptional conditions. More clearly, the psychological and metaphorical importance of rooms and what they silently describe, holds my attention and I want to draw the viewer in to the pathos of discovery. The vibration of the empty rooms and all the surface information speaks to us about a people and their need to express themselves, the exteriorization of the soul life or personal values- the emblematic image of an age, a brief but rich moment of creativity- of domesticated poetic fantasy. A house that has been lived is not an inert box, it’s filled with a humanness that I want to capture and evoke. Furthermore, I feel that the house represents a group of organic habits, which serve as metaphors of imagination, waiting to be observed.

Rosalyn: What do these images reveal about you as a photographer if anything?

Sebastian: My process of observation, when freed of the ridged and shallow obligations of editorial or commercial discipline, tends towards a “vision of loss”. At the very outset of photography, William H. Fox Talbot noted the camera’s special aptitude for recording “the injuries of time”. I feel that my images portray my constant need to balance between past and present; to persistently look in both directions as I’m slightly worried about the future and feel more at ease in certain atmospheres and surroundings of the past, that I try to evoke, record, and examine.

Rosalyn: Some of the interesting moments—including challenges, if any—that you would like to share?

Sebastian: My process with my project-fine-art photography always implies a challenge of access and verification. Sidphur, Pondicherry and Chettinad involved a pilgrimage from house to house which was very much akin to the path followed by an investigator who looks for clues, but I was not wanting to verify anything. My search is not to uncover but to record, my clues lay hidden in the two-dimensional result of my efforts, which become objects of a bigger puzzle, that are more universal, more transcendent and speak to each viewer in a different way, as photographs must.

Rosalyn: You describe your photographic process as ‘recording not judging’, where you follow principles of Pure or Straight photography – depicting a scene as realistically and objectively as possible with a conscious attempt to distance yourself from your subject, yet there is a sense that your perception has translated into your work and the images themselves seem quite intimate, did you feel that your presence in this society was an intrusion?

Sebastian: I attempt to remain as disciplined as possible to avoid any nostalgic indulgence or an excessively dry interpretation, but the possibility always remains that my subconscious attachment to certain iconic images surfaces. I had a very formal, Euro[1]pean education and spent my early years roaming around churches and frescoed villas in northern Italy. The early renaissance painter Vittore Carpaccio, his painting “St. Augustine in His Study” is constantly alive in my mind’s eye and particularly influences me; the balance achieved in this painting is a solid reference point for me. I never feel that I’m intruding once a member of that same place has let me into a community or a house.

Rosalyn: Western artists making work about the east and India are often accused of being Orientalist, making things exotic / appropriating the culture, how do you respond to this view?

Sebastian: The concept of Orientalism has many different interpretations and can easily and constantly is associated with most attempts by westerners to observe and artistically depict the eastern part of the world. But I personally feel that Orientalism is a dated label, which was suited for the colonial and post-colonial period when travel and communication was at a slower pace and cultures where more easily identified in their static qualities and exploited. Edward Said’s political, social, and cultural depiction of Orientalism certainly still holds a specific explanation for many of today’s social upheavals and miss-directed attempts of western intervention in eastern affairs. But from a purely artistic point of view, Orientalism in the work that I do would be a miss-applied label. I think contemporary photography has a universal language, which goes beyond such limited cultural stigmas. One thing is certain, but this pertains to all cultures, a foreign eye often sees and interprets the local reality with a totally different vision, which may at times be less encumbered.

Rosalyn: How does India differ from other countries that you have lived / worked in – has the environment influenced your work/ subject / process and how?

Sebastian: India offers an enormous variety of visual and cultural realities. Especially in this transition phase, which sees the forces of modernity encumber on older traditions. India is a vivid tableau of contrasts. I find myself currently in a totally different phase in my photographic career then when I was working in Europe. India has helped me to develop a renewed vision and deeper commitment to my artistic and cultural concerns. My documenting process has also changed; I have grown more attentive to nuances. India has forced me to reflect attentively on each project and the subtle influences that motivate me to undertake a project.

Rosalyn: What should viewers look for when they see these images?

Sebastian: I never really ask anything of the viewer, he or she can only see and understand what they are able and prepared to see. A photograph, like any other object or artistic expression, requires that the viewer be nurtured by their own cultural and emotional background- all explanations or captions are useless. It’s my hope that the viewer connects emotionally and on an unconscious level, which suggests that I would like my images to raise questions.

Rosalyn: What is the relationship between your personal and commercial work, do you see them as separate or are there similarities?

Sebastian: Obviously my mastery of the trade is one and the same, but my process and vision is vastly different when I engage in a personal project. Commercial photography is, by definition, an act guided by some commercial rules and needs, which you must accept and agree to. Personal projects are the direct opposite, your end point is different, the process is different, and the result is different.

Rosalyn: Tell us about your plans for future projects. What are you currently working on?

Sebastian: I have two different projects, which will both challenge me to expand my process. They are both in the conceptual stage and will involve different styles of photography. I want to do an “on the road” project, which will analyze the visual grid of life around a highway in India. My second project will involve the similar process used in the projects already presented.

San Diego, CA,15th January 2025 Elisabeth Bernhardt of San Diego, California, has been selected as a Woman of the Month For December 2024 by P.O.W.E.R. (Professional Organization of Women of Excellence Recognized) Magazine for her outstanding contributions and achievements in the field of graphic design/printing/marketing.

Elisabeth Bernhardt is the business owner of Imagine Design & Graphics, a full-service printing and graphic design studio specializing in all print marketing collateral such as business cards, menus, invitations, magnets, and other promotional materials to direct mail marketing (+ eddm®), and high-quality headshot prints for models & actors. Located in San Diego, California, the company serves clients nationwide.

With over 15 years’ experience, Bernhardt is a creative designer/operations professional who has helped countless independently owned franchises, businesses and individuals with logos, business cards, forms, postcards, large format, and other branded supporting collateral.

An esteemed member of P.O.W.ER., Bernhardt was previously named a VIP for both P.O.W.E.R.’s winter and summer 2024 issue.

Elie earned a B.A.in graphic design from San Diego University and received a Digital Design Diploma from The Art Institutes. She is skilled in Adobe Illustrator, Photoshop, and InDesign.

Carlsbad, CA, 15th January 2025 KNC Strategic Services in Carlsbad, CA, was authorized on January 2, 2025 by the Cyber AB to conduct CMMC Level 2 Assessments of the over 80,000 organizations that comprise the Defense Industrial Base (DIB). KNC is one of only forty CMMC Third Party Assessment Organizations (C3PAO) in the nation, as of the time of this release, which have been authorized to conduct these types of assessments. Through their company experience participating in CMMC Joint Surveillance Voluntary Assessments, and through their providing Governance, Risk and Compliance consulting, KNC is poised as a top C3PAO to support this effort. KNC is now scheduling assessments for 2025. Organizations Seeking Certifications interested in scheduling their assessments should contact us as soon as possible to discuss scheduling.

KNC is a Cybersecurity Services Provider, that caters to a diverse range of industries including government, transportation, utilities, defense industrial base and commercial organizations. KNC is a service-disabled veteran owned business formed in 2018 currently celebrating its seventh year anniversary. KNC’s success is based largely upon the quality of their resources and through providing red, white and blue glove customer service. KNC is dedicated to the veteran’s community. KNC donates 10% of its annual profits to support veterans through a nonprofit KNC established named US Veterans Advancing Through Learning, Opportunities and Resources (US VALOR) which offers a Cybersecurity Apprenticeship Program for active-duty US Military Service Members who are transitioning out of the military. Veterans make exceptional employees in the field of Cybersecurity.

Los Angeles, CA, 15th January 2025- Ann Nesby, the two-time Grammy-winning vocalist renowned for her powerhouse voice, makes a triumphant return with her new single, “My Man.” Written by R.L. of R&B group Next, Brian Cook and Ann Nesby, this love anthem blends contemporary R&B with Nesby’s signature soulful style. Releasing Friday, January 24, 2025, “My Man” is already gaining early support from SiriusXM’s Heart & Soul, Music Choice, and iHeartMedia.

Timed perfectly for Valentine’s season, “My Man” is a heartfelt tribute to her husband and manager, Tim Lee, co-head of her label It’s Time Child Records. The song celebrates enduring love and devotion, offering a universal anthem for listeners.

“‘My Man’ is about loyalty, passion, and the deep connection that withstands life’s challenges,” says Nesby. “It reflects my journey and the timeless love stories that inspire my music.”

Coming off a remarkable 2024, Nesby demonstrated her enduring artistry and versatility across music and performance. In January, she joined Jon Batiste for a show-stopping performance of the Grammy-winning anthem “Optimistic” at the 66th Annual Grammy Awards, a track she initially led with the Sounds of Blackness. Later in the year, she electrified audiences with a surprise appearance during Usher’s Past, Present, and Future tour, reminding fans of the energy and passion that define her career.

A music icon known for hits like “Put It on Paper” and “I Apologize,” Nesby rose to fame as lead vocalist for the Grammy-winning Sounds of Blackness. Her solo career includes collaborations with legends such as Jimmy Jam and Terry Lewis, Luther Vandross, Patti LaBelle, Gladys Knight, and Sting. She’s also shined as an actress in films, television, and stage, from The Fighting Temptations to Queen Sugar, and earned acclaim for her role in Tina: The Tina Turner Musical.

Nesby bridges her rich legacy with modern R&B through “My Man.” The single releases January 24, 2025, on all major platforms via It’s Time Child Records and distributed by GoDigiPath, LLC in association with ADA Worldwide, a Warner Music Group company.

Pre-Release Listening Link:
This exclusive link is intended solely for accredited media representatives for playback review purposes only. It is password-protected, non-downloadable, and will expire in 30 days.

Santa Ana, CA, 15th January 2025- Important Deadlines to Keep in Mind:  SB326 Effective Date: January 1, 2026 – All multifamily residential buildings (three or more units) that have any portion of those units governed by an HOA.

SB721 Effective Date: January 1, 2026 – All multifamily buildings containing three or more units which are not governed by a homeowners association.

“These deadlines transcend mere regulatory requirements; they’re about the safety and well-being of California’s denizens,” said Omid Ghanadiof, CEO & Founder at DrBalcony. “Procrastination of these inspections can result in heavy fines, legal issues, and even potential safety hazards.”

What’s at Stake?
Failure to comply with these laws can result in:

Daily fines ranging from $100 to $500 for non-compliance.

Increased liability risks for property owners and HOAs.

Possible structural failures that put lives at risk.

DrBalcony specializes in full balcony and deck inspections to meet the requirements of both SB326 and SB721. Backed by several years of experience and relentless drives toward innovation with their DrBalcony App, the company offers seamless inspection processes with accuracy, efficiency, and customer satisfaction.
How DrBalcony Can Help

Licensed Experts: Inspections by licensed engineers and professionals.

Detailed Reports: Clear, comprehensive reports with actionable recommendations.

Timely Service: Fast scheduling and turnaround to meet upcoming deadlines.

“The time to act is now. Slots are filling up fast as we approach these critical deadlines, and early action not only ensures compliance but also provides peace of mind for property owners and tenants.”

Schedule Your Inspection Today
Property owners and managers are encouraged to contact DrBalcony now to ensure a pre-deadline inspection date. To schedule an inspection or learn more, please visit https://drbalcony.com or call +1 805-312-8513.

Riyadh, Saudi Arabia,15th January 2025- In today’s rapidly evolving business landscape, the need for innovation is crucial to staying ahead. Pan Ocean Capital is addressing this need by offering more than just financial support. The company’s initiative is designed to help entrepreneurs navigate each stage of development, ensuring that they have the necessary tools to scale their ideas into successful businesses.

The company provides entrepreneurs with strategic mentorship from industry experts who guide them through every phase of growth. This support is complemented by tailored resources and insights to help entrepreneurs refine their concepts, elevate their vision, and accelerate progress.

Fatma Abdu, the head of this initiative believes in blending technology with human expertise to achieve lasting success. “True success lies in the ability to integrate technology with human insight to create real-world solutions,” says Abdu. “Pan Ocean Capital is committed to providing the strategic support entrepreneurs need to turn visionary ideas into tangible results.”

Pan Ocean Capital’s mission goes beyond providing financial investment. The company is focused on creating a movement that fosters creativity, growth, and innovation, with the goal of reshaping industries and improving the world through entrepreneurship.

For entrepreneurs looking to turn their ideas into reality, Pan Ocean Capital offers a unique opportunity to access the resources and mentorship needed for success.

Mahopac, NY, 15th January 2025 A Rebrand Rooted in Gratitude, Clarity, and Alignment Most business leaders know the grind all too well. Endless meetings, constant demands, and the pressure to grow can drain the joy and purpose that inspired them to lead in the first place.

Enter Prosperous Jenn, recently recognized as Most Dedicated Transformation Coach 2024 (New York) and previously honored as one of Hudson Valley Magazine’s Top 10 Women in Business in 2016. Jenn is on a mission to help leaders rediscover their spark, reclaim their time, and build businesses that nourish their souls.

As part of her rebrand as Prosperous Jenn, Soulful Prosperity Coach, she is introducing Fractional Leadership—a service designed to provide business owners with the strategic and specific leadership they need, without the commitment of a full-time hire.

“This rebrand reflects my journey to clarity, alignment, and fully stepping into the power of who I am,” Jenn shares. “Fractional Leadership is the natural extension of my mission: to help purpose-driven leaders gain both freedom and prosperity by aligning their vision, strategy, and values.”

Prosperous Jenn’s coaching journey has been shaped by overcoming life’s toughest challenges, from addiction and financial losses to business setbacks. Recognized for her dedication to the business community, she uses her experience to empower others to rise.

“I’ve learned that true prosperity comes from purposeful action aligned with your values,” she shares. “This new chapter isn’t just about helping businesses scale—it’s about creating soulful prosperity and leading leaders to the freedom and profit they desire.”

Fractional Leadership is tailored for business owners and entrepreneurs ready to level up in operations and strategy, build accountability and alignment across their teams, and rediscover the fun in leading their businesses.

Jenn explains, “Sometimes what businesses need isn’t another full-time hire—it’s a leader who can step in, set systems in place, and guide teams toward shared goals without unnecessary cost or hassle.”

Jenn’s recognition as Most Dedicated Transformation Coach 2024 and Hudson Valley Magazine’s Top 10 Women in Business 2016 highlights her commitment to inspiring growth, positivity, and alignment. Her approach blends strategic expertise with soulful coaching, helping businesses and leaders transform both professionally and personally.

Fractional Leadership is a movement to help leaders align their purpose with their work and create businesses that are as fulfilling as they are successful.

Jenn invites business owners and leaders to explore Fractional Leadership and rediscover what’s possible when clarity, gratitude, and alignment guide the way.